Thursday, 10 July 2014

Garden Kitchen

This image is a snapshot into the interior of a garden kitchen I'm working on in Nottingham. The project is currently going for planning and once we have approval more images and details will be posted.

Thursday, 24 April 2014


As part of my ongoing collaboration with Archiam at NTU I have been included on their updated website as one of the external contributors.

Some of the drawings I did have been included in their Documentation and Heritage Management Plan of Harat al-Aqr (BAHLA, UNESCO World Heritage Site).

The link to the online version of the publication can be viewed below. My contributions are on pp. 33, 110, 111, 113 and 116.

Thursday, 20 March 2014

Medieval Museum in Waterford / Waterford City Council Architects

Really delighted to see that Waterford City Council Architects have won an International Civic Trust 2014 Award for this contemporary museum in my home city of Waterford. Hopefully this will set a precedent for similar developments in the Southeast region of Ireland.

Monday, 10 March 2014

SPUD Observatory Design Competition

On Monday 3rd March the observatory competition long list was released and our team consisting of myself, Joe Williams and Casey Williams were delighted to find our hard work and design process had paid off. We emerged through as one of the 20 teams to be long listed for the exhibition at Winchester Guild Hall where the projects were reviewed by a panel of 7. The judges included some high profile names such as Will Alsop and Bill Woodrow as well as five other distinguished professionals. The project was also mentioned on bdonline and the competition website that can be viewed in the links below:

Unfortunately the project was not chosen for the shortlist and the travelling exhibition but as a team our design exploration and research developed considerably over the 8 week period. 

The conceptual approach to the studio was introduced in the post titled “Observation Theme Exploration” on the 30th January 2014. This was a diagrammatic image that portrayed our approach to observation and how its power can be enhanced through removing and then framing certain views. The team comprised a paragraph to support our theories and the image:

“The beauty of landscape and topography is somewhat elusive to those whom use it often and in a transient manner. Studio Obscura uses the power of denial to remove and distort views so as to render beautiful scenes that have become ordinary through frequent use”

In reality this is achieved by using vertical posts that stand in isolation and form a plane leading to the building.  The posts eventually merge to create the density that is the actual enclosed space. Each post demands space in the landscape encouraging macro observation but the closer they become, the more the visitor views the micro aspects of the site. Once inside the building the visitor experiences a sheltered atmosphere away from the sun, wind and rain and is invited to observe the artist’s products and process.
Inside the intervention a counterpoint to the surrounding landscape is created through removing light from the tower and creating a pinhole camera obscura. This camera obscura projects the light and atmosphere of the artist’s studio above onto a translucent screen below. This is achieved using mirrors and varying ceiling heights to enhance the experience.

The image below is one of the central isometric drawings that show these vertical elements and their relationship with the building. The tower that encourages observation of the landscape from above and observation of the artist from below dominates the image.

Tuesday, 4 March 2014

NTU Architecture Exchange

NTU held an Architecture Exchange event last Thursday evening which involved meeting various industry representatives and listening to presentations on how to improve your employability within Architecture. I was asked to speak about the preparation of the CV and portfolio and how to maximise your skills developed at University. Once the presentations finished myself and two other architects from CPMG took part in a round table discussion on what we look for in graduates. 

The link below explains a bit more about the event and main points of all four presentations. The opening image of my presentation can be seen below and preformed as a foundation to my background and interests. 

Thursday, 20 February 2014

Observation Facade Development

The observatory project has reached a stage where the practical necessities of the interior artist studio are influencing the external facade composition. The posted image is a shadow study displaying the shadow effect caused by the facade.

Thursday, 30 January 2014

Observation theme exploration

The cryptic image below is the early development of some exploration work I'm doing alongside 

Friday, 6 September 2013

RIBA Silver Medal Entry

Since finishing the M.Arch I have focused my mind on searching for jobs but also on tying up some design thesis loose ends. I have been offered the opportunity by NTU to submit the project for the RIBA Silver Medal Awards so 15 pages required some extra polishing.  One of the central themes of the thesis was the use of design to balance seasonal variations in employment around Boston. The solution was mussel fields and a processing building which I did a little extra design work on for the competition entry.  

Wednesday, 10 July 2013

Archiam Centre Visualisation and Outreach Work

Upon finishing the M.Arch myself and Paul MacMahon of took part in preparing visuals and loose design work for the inaugural exhibition of the Archiam Centre.

The research based centre focuses on the architecture and cultural heritage of India, Arabia and the Maghreb and how to manage it around the rapid expansion of cities and infrastructure which threatens the historic urban fabric. The inaugural exhibition was specifically about the heritage management of Oman and a number of settlements in the region. The exhibition focused on the documentation, analysis, heritage management/development and the visualisation and outreach for the settlements. Once myself and Paul M joined the multidisciplinary team led by Prof Soumyen Bandyopadhyay all of the analysis and management stages were completed for the exhibition and it was our role to visualise some potential schemes in their highlighted sites.

The purpose of the images were to be representative of the life and materiality such developments could bring to settlements that are currently perishing. Paul M also created a context model of one of the settlements and I 3D printed a model of an existing building.

Entrance to Exhibition from

Plan of Strategic Square 

Sketch of Pedestrian Access to City Wall

Sketch of Potentail Building for Cafe 

Food Court Sketch