Development Collage

This is the first of a series of collages that will be produced in order to find a suitable site to explore the theme of absence outlined in the previous post.

Heligoland and Absence

Today was spent reading Peter Zumthor’s "Thinking Architecture" and John Pawson's "Themes and Projects" to help my design thesis exploration of concepts. I have always had huge admiration for Zumthor and after reading Thinking Architecture this respect has been strengthened. The clear language used to explain his personal complex understanding of buildings and materials is immensely enjoyable and it is evident how he has become such a prolific architect.

I have decided to adopt some of the ideals mentioned by Zumthor in this book when designing any of the built elements required for the thesis. He mentions that all of his architecture should strive to simply exist but virtually impossible to imagine a place without it. The investigation of possible themes that could emerge from potential sites in Boston, Lincolnshire will be articulated in this text. There are a number of sites in the town centre that are calling for an intervention to draw the place back to the coast. What I find interesting about Boston is the strange sight of deep hulled fishing boats dominating a town that could be misunderstood as an inland river. From reading Thinking Architecture these boats become beautiful because they have been placed in an area that seems to be out of context and missing something. "The more we miss something the more beautiful may become that which we have to mobilize in order to endure absence" (Zumthor, 2007).

Location of Boston UK

I find this idea of absence intriguing and it is a secret passion that will be brought into this project. This theme is something I deal with most days when living in Nottingham which is quite far away from the sea. Simple waterways and their adjacent buildings are rendered beautiful in my mind through intense feelings of absence from the coast. The river Witham through Boston accommodates roads and buildings with names such as Fishermans Court, Custom House Quay, and Doughty Quay e.c.t. These names suggest a place that is struggling to come to terms with absence from its main lifeline so like my personal experience in Nottingham, anything that is used to endure this absence emanates a powerful and beautiful presence.

The sea area forecast that is played on VHF channel 23 and 84 is a sound that immediately changes how I feel in a particular place. Memories of being in a sailing club or the lifeboat station with my father when the broadcast starts and immediate attention is demanded by everybody present in the room. Anybody who comes from a coastal background will have a connection with the soothing sound of the broadcaster’s voice. Boston and its people have such a strong relationship with the sea so by introducing sounds, emotions and volumes that are usually absent we can make truly powerful spaces. After an immensely busy day in the studio I usually listen to Radio 4 and the shipping forecast which introduces the coast and tranquillity to my landlocked Nottingham kitchen.

A song that has been produced by a band called Overseer also recognises this feeling I have towards the weather. The protagonist speaks as a VHF broadcaster and links the sea area forecast to his feelings of solitude and emotional changes relating to the weather.Overall I think that the power of absence and the introduction of missing elements will be an interesting design thesis theme. The proposal of using objects that one would initially perceive to be out of context to render the areas of space beautiful hugely inspires me.

The image below is of lobster pots in my hometown of Dunmore East which are quite fitting in their harbour surrounds but how would these sit in Boston? I would be very interested to hear feedback on this proposal and ideas presented in this post so if you have any thoughts please leave a comment below.

Lobster Pots Dunmore East

Sea Chair Studio Swine

As I mentioned briefly in the previous post the idea of recovering materials created by man from the sea and doing something creative with those materials is something I find very appealing. The sea chair created by studio swine should be created at a larger scale and is something that may be integrated into my Design Thesis. The images below were produced by Studio Swine and show the materials and furnace used to create the chair. The severity of damage caused by plastic in the sea is continuously increasing with the current figure of 46,000 pieces of plastic per square kilometer set to double in the next 10 years.

Design Thesis Blog

From this post onward this blog is becoming a tool for recording and exploring the thought and design process for my design thesis.  

Finding an appropriate theme is a journey and can lead from one point to another whilst taking quite a diversions in between. The start of this design thesis was quite technical with rammed earth which was abandoned quite early on. I felt this incredibly important project required something which complements my technical ability but does not centrally focus the theme around it. The desired output I seek from this project is to explore established and innovative architectural theory whilst considering strong economic trends through space. To reach this destination I gathered a reading list to try and ignite some inspiration. This list includes:

                                               

Harries, K., The Ethical Function of Architecture Cambridge, Mass.; London: MIT 1997

Vesely, D., Architecture in the age of Divided Representation Cambridge, Mass. ; London : MIT 2006

Ann Ray, M, Pamphlet Architecture No 20, New York, Princeton Architectural Press, 1997

Architectural Design Magizene

The Economist

Upon reading the titles above reoccurring references to J.M. Gandy (1771-1843) started to influence the theme development. Gandy was an architectural theorist and close working partner to John Soane. The most famous of his works was notably “The Ruins of the Bank of England” and the concept behind this fictional depiction can be applied in a 2013 context. Gandy portrayed the building in ruins as monument to the state of capitalism and a place of retribution and cleansing for those involved in the system. 

Recent news of high profile tax avoidance in the United Kingdom made me think of the possibility of applying Gandy’s concept to the largest employer in Nottingham. Her Majesties Revenue and Customs (HMRC) head quarters were built just outside the city centre and provides much of the cities cash flow. As one approaches the series of office buildings designed by Hopkins you feel almost like a trespasser on alien ground. The outdoor space that the architect intended to become public recreation space has a ghostly feel as a result of employees seeking escapism during their breaks.

The very much public activities of the HMRC have become insular and private though the scale and layout of the forms. This complex layout is directly comparable to a difficult tax return form or an unexplained variation in a payslip modified by the HMRC. When this theory was presented to my design thesis tutor he could relate to a similar feeling when visiting the buildings. He explained how each entrance contained facilities for headache medication which is self explanatory in communicating the type of environment the employees endure.

I briefly left this theory involving tax and started to revisit my passion for coastal areas and my time living in Hastings. Fishing industries have always been both creating and recovering plastic drift materials and disposing of it. The video below is completely separate from the tax topic but may provide an answer to some of the questions posed above.


https://vimeo.com/59218897

Only time and further exploration will tell  

Vertical Studio Final Review

The post below includes a brief description of the final narrative created for Vertical Studio which was a 20 credit ponit module for the M.Arch at NTU.

Bradford Centre of Theurgy

This interior collage was an attempt to communicate the program for my Vertical Studio project. The circulation route down the stairs links the writers progression of ability with an architectural response. The upper levels are full of journals and inspiration and the people that occupy the space can see the circulation routes below. The purpose of this view is to give the people above an aspiration to achieve the brilliance of those in the creation rooms below.

The view of the light wells intervening in the landscape at night can be seen in the visual below. 

West Bridgford Bakery Conversion

The following images are being used to try and market this property before all the changes from a office to a residence have been made. The objects in the visuals are suggestive rather than photo realistic to allow the imagination of any prospective buyers to populate the spaces with their own valuables.

I had to try my best to stick under the hours quoted to the client so the final interior views could have possibly been further worked but I was conscious of spending too many hours on them.

Let me know what you think!!!!!

18/12/12 Vertical Studio Progress

Revised orientation and development of light wells 

Axonometric drawing of different slab levels and light well depth

Experimentation with axonometric 

Development Sketches of Internal Spaces for Vertical Studio

Plan of Intervention

Vertical Studio Design Process

This is just a sample of the design process so far for Vertical Studio at NTU M.Arch.

Fig: 1 is the site contour model with the plan sketch development overlayed to show process.

The following two images are concept developments that have emerged from the deconstruction of a typewriter.



Fig: 1



Fig: 2



Fig: 3